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| Artists Statement
My practice focuses on the dismantling and scrutiny of visual perception. The work takes the form of proposed spaces developed and annotated through drawing, projection, photography and model building. It brings together opposing ideas and creates tensions concerning spatial representation. I examine the meaning of spatial representation, by commandeering and rearticulating it into contexts which are outside of its assumed or traditional role. I combine adherence to systems with intuitive intervention. Contexts for the work include wall drawing, site specific spatial intervention, and drawings on paper. Mechanisms which represent space form the core of my concerns. From this work arise questions about audience proximity to the work and formal elements such as the thickness of line and linear perspective. I am also interested in constructing drawings devised to be perceived using 3D anaglyph glasses. Using this technology provides a means of accessing the physiology of binocular vision. It produces an illusive space which can not be quantified in terms of the physical information presented. This indefinable space has a relationship with the sublime. I find the disjuncture between information you are directly presented with and your perception and interpretation of that information interesting. The overall character of my work is a systematic undermining of spatial representation and perception, inviting the audience to question assumptions about perceived reliable truths. |
Curriculum vitae
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